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After months of being pent it is time for me to trim my wings and prepare to fly high in a lowest key.When i flap my wings i do know i have burdened more,not only with love but also the expection,currently i do wanna do utmost to dip myself in a deeper water.
Heaven is a 2002 motion picture directed by Tom Tykwer and starring Cate Blanchett and Giovanni Ribisi. Co-screenwriter Krzysztof Kieślowski intended for it to be the first part of a trilogy (the second being L'Enfer and the third having been slated to be titled Purgatory), but died before he could complete the project.
It is shot equally in the Italian language and English.
Story
The film is set in an Italian city. It opens with a prologue sequence showing the young Italian Carabinieri clerk Filippo (Ribisi) learning to fly a helicopter using a flight simulator. When he accidentally crashes the virtual helicopter by ascending too dramatically, his instructor tells him that "In a real helicopter, you can't just keep going up and up," prompting Filippo to ask, "How high can you go?" The film then cuts to Phillipa (Blanchett), who is preparing to plant a bomb in the downtown office of a high-ranking businessman. Although everything goes according to her plan, the trash can in which she places the bomb is emptied by a janitor immediately after she leaves and later explodes in an elevator, killing four people.
Phillipa is tracked down by the Carabinieri, arrested, and brought to the station where Filippo works. When she is questioned, she reveals that she is an English teacher at a local school where several students have recently died of drug-related causes. Discovering that they had all been supplied by the same local cartel, she had contacted the Carabinieri with the names of the drug ring leaders, begging them to intervene, but was repeatedly ignored. At her wits' end, she decided to kill the leader of the cartel, the businessman whose office she targeted. In the process of her interrogation, Filippo (who is translating her confession for his superiors) falls in love with Phillipa and helps her escape from Carabinieri custody. After she kills the drug lord who was her original target, the pair become fugitives from the law and flee to the countryside, where they eventually find refuge with one of Phillipa's friends. When the authorities raid the house where they are hiding, they steal a Carabinieri helicopter parked on the front lawn and escape by air. The officers on the ground fire repeatedly at them to no avail as the craft climbs higher and higher and finally disappears.
As time elapsed I have got accustomed to my new life,which is abit busy and filled enough.To be blunt I still have some reluctance about what I have been busy with,is it my real goal I have been pursuing all the time？Last Fri I dined with Coco,whom is a idol in my mind,a real doggy persistent gal in pursuit of her dream and makes it in the shortest time,and we had a nice chatting after one-year absence,indeed I have learnt a lot from her!But I’m abit afraid whether I will work better at the same age of her,you know I am a man with more to shoulder and should be.Last time after strolling around sat still in the center of my campus I did recall so much about the 2 years past and look on what is going on the next years.I have to say SORRY to someone coz I don’t want to lie to you,I am not kinda person being met with presence,I have my own guts and never stop to realize something,even though a litter perplexed at first I do know I have not gone so far away from my destination.I’m old enough to be seasoned or secular to think about reality instead of something like bicycling around with you in white innocent skirt.Hopefully everything will go smoothly and I have never been too far away from my ultimate goal.
A bit depressed these 2 days ,what happened on me?I have got no idea!I find myself devoured by sth unwittingly mouth by mouth,but what that is?This kinda life seems glorious enough in other ppl’s eyes,but is it the one I need urgently?Being as a White-collar,working in some company belonged to FESCO and worldwide,living in CBD of this city,why the unusual loneliness lies beneath my mind still?Why at present I wanna cry out and let my tears down?Maybe I miss someone who can be with you really?How about you？N how ya doing in the city one hr ahead.Aussie Jap and U.S. deem to be the place whre each time my heart gets incarnation.I do hav the aversion to the city I m living now which leaves nothing but all those awkward.But after 6 sixes spending here why do I adopt here still?Coz of the biggest springboard itself?Where is my ideal life?Thre is gradual distant away from that,isn’t thre?Hopefully Not!Why cannot I grasp the breath of Takura?Whre is the Hiro actually sit?Why cannot I arrive thre?Is it not in order to be thre,is it???SO when is the right time?Can you tell me?Why I m now seeming so helpless?
The music sung by Rurutia,who is from JP,is now around my ears!The tears in mind trick down heavily like a blissful rain which is a pun,the Rurutia means same in Tahitian.Pls lend me a hand to hold me from the precipice in front…
Recently I have seen two movies in cinema,one is <Valkyrie>,the other one is <The hurt locker>,frankly speaking which are both not so bad and attractive enough to me even tho are a bit savage in the scenes to other people’s eyes!In some sense may be I am a war frantic,which sounds so abysmal and abhorrent!LOL...As far as my concerned I do need to find a getaway for pouring out something innermost,due to the mess,been bumming around for a whole month totally with no definite intention I have...and it is the first time for me to find out how poor and helpless of me.Some days there is no way for me unless laying in bed till midday,it is the best way to bide my time I suppose!I badly wonder when my rain and cloud starts to clear up....many people told me of holding patience and staying still,but which I have begun to be fed up with.Hopefully next week everything will be fine to me and indeed be portrayed as a brand new image of life instead of wreaking another havoc to me...God blessed...
The Hurt Locker: A Near-Perfect War Film
The U.S. Army bomb disposal unit has three men: an intelligence officer, the specialist who covers the scene with his rifle and the staff sergeant who walks up to the device and tries to turn it off. Today there's a report of one on a Baghdad street. Mission simple to define — "Let them know that if they're gonna leave a bomb on the side of the road," the staff sergeant says, "we're gonna blow up their f---in' road" — but way harder to accomplish. As he walks toward the contaminated area wearing a heavily insulated space suit on a 130-degree day, he catches the corner-eyesight of a man about to use a cell phone. The spaceman turns and runs. Too late: BOOM! The bomb detonates and so does he. Blood seeps down his helmet visor like red rain on the wrong side of a car windshield.
This is the first scene of The Hurt Locker, which has its world premiere here at the Venice Film Festival before playing Sunday at the Toronto fest. No U.S. opening or distributor has been secured, but that should change once festival people strap themselves in for this dynamite drive through the Iraq occupation. (Make that war.) Except for a few digressive scenes — a solo sortie of personal vengeance, a conversation about what it all means — that could easily be cut from the 2 hr. 11 min. running time, The Hurt Locker is a near-perfect movie about men in war, men at work. Through sturdy imagery and violent action, it says that even Hell needs heroes.
The director, Kathryn Bigelow, has paraded her adroitness with complex stories about oddball characters in two curious subgenres: Near Dark (1987) was the all-time teenage vampire love story, Point Break (1991) the all-time surfer-heist movie. The scriptwriter, Marc Boal, is a journalist for Rolling Stone, The Village Voice and Playboy, which ran a story that Paul Haggis expanded into the sharpest of last year's Iraq-related dramas, In the Valley of Elah. These two filmmakers have pooled their complementary talents to make one of the rare war movies that's strong but not shrill, and sympathetic to guys doing an impossible job.
With the death of their boss, and 38 days left in their rotation, the two survivors — Sgt. J.T. "Bomber Mike" Sanborn (Anthony Mackie) and Specialist Owen Eldridge (Brian Geraghty) get a new guy, Staff Sgt. William James (Jeremy Renner), who lacks the dead man's leadership skills or his bluff camaraderie. James doesn't say much, just does his own thing, which is to keep little pieces of Baghdad from blowing up.
On his first mission, James releases a cloud of smoke, protecting him from sharpshooters but obliterating his comrades' view of him. (There's another company ready to cover him closer to the action.) A taxi has just edged toward the suspected device; he tells the driver to back out of the area. No movement. James walks closer, repeats the order; stillness. He puts his gun against the man's head: "Wanna back up?" The car slides into reverse. "Well, if he wasn't an insurgent," somebody says, "he sure is now." Finding a string nearly buried in the street dirt, James finds it attached to seven bombs and matter-of-factly snaps the wire for each. OK, that's done. Piece of cake, seven slices.
It's a creepy marvel to watch James in action. He has the cool aplomb, analytical acumen and attention to detail of a great athlete, or a master psychopath, maybe both. A quote from former New York Times Iraq expert Christopher Hedges that opens the film says, "War is a drug." Movies often editorialize on this theme: the man who's a misfit back home but an efficient, imaginative killing machine on the battlefield. Bigelow and Boal aren't after that. They're saying that, in a hellish peace-keeping operation like the U.S. deployment in Iraq and Afghanistan (James' previous assignment), the Army needs guys like James.
Some people have the luck or curse to do what they're supremely good at; and the exercise of that skill gives pleasure, even if the job carries the imminent risk of death. The talent that another man might have for making bombs, James has for finding and silencing them. It's not just his job, it's his vocation. Whether he's stripping a car piece by piece or cutting open a boy's stomach to pull out an IED, James has the instincts, let's say the genius, to do it. "Mission accomplished" is not a Presidential PR phrase, it's a definition of this man at work. It'd be a crime not to apply his expertise to saving lives. James is also in it for the fun. We learn that he has a wife and a baby back home, but Baghdad is where he feels most alive — performing a task that could end his life. If defusing bombs isn't a drug for James, it's a stimulant, pure caffeine, his headiest, most essential adrenaline.
A genius makes his own rules; a soldier isn't supposed to. Before examining the suspect car, James doffs his space suit; at this close range it won't offer much protection. ("If I'm gonna die, I'm gonna be comfortable.") More recklessly, he tosses his headset on the ground, so he doesn't have to hear Sanborn's pleas to get the hell out of there. Groups of men have gathered at storefronts, on the balconies and roofs of apartment houses, and James' lone-gunman bravado could jeopardize the mission. But a genius has to stay focused. There's got to be a bomb in here somewhere; ah, under the hood. Though his mates aren't crazy about his methods — Sanborn sucker-punches James in the jaw after this little escapade — they'll come to appreciate him. "Not very good with people, are you," Eldridge tells James, "but you're a good warrior."
The heart of the film is a half dozen sequences, most of them on bomb-squad detail, one long, terrific one showing the unit holed up with some Brit mercenaries (led by Ralph Fiennes, the star of Bigelow's 1995 futuristic movie Strange Days) fighting off fire from al-Qaeda-in-Iraq types out in the desert. Boal and Bigelow know that there's enough tension in the act of walking up to a bomb and trying to defuse it; they don't have to amp up the suspense with theatrics.
The appearances by some familiar faces — Fiennes, Guy Pearce, David Morse — are all too brief. But the three leads don't make you long for star power. They're fine: Mackie as the veteran who plays by the book, Geraghty as the subordinate with jumpy nerves, and especially Renner. He's had supporting roles in North Country, 28 Days Later and The Assassination of Jesse James by the Coward Robert Ford, but this is his big chance, and he seizes it. He's ordinary, pudgy-faced, quiet, and at first seems to lack the screen charisma to carry a film. That supposition vanishes in a few minutes, as Renner slowly reveals the strength, confidence and unpredictability of a young Russell Crowe. The merging of actor and character is one of the big things to love about this movie. The other is that its tone, of steely calm, takes its cue from the character it so acutely observes. It's as if James was not only the subject of the movie — he made it.
Valkyrie (film)
Cruise's casting caused controversy among German politicians and members of von Stauffenberg's family because of the actor's practice of Scientology, which is considered a totalitarian organization in the country. German newspapers and filmmakers supported the film to spread global awareness of von Stauffenberg's plot. The filmmakers initially had difficulty setting up filming locations in Germany due to the controversy, but they were later given leeway to film in locations pertaining to the film's story, such as Berlin's historic Bendlerblock.
The film changed release dates several times, from as early as June 27, 2008 to as late as February 14, 2009. The changing calendar and poor response to United Artists's initial marketing campaign drew criticism about the studio's viability. After a positive test screening, Valkyrie's release in North America was ultimately changed to December 25, 2008. United Artists renewed its marketing campaign to reduce its focus on Cruise and to highlight Singer's credentials. The film has received mixed reviews in the United States. It opened commercially in Germany on January 22, 2009, where reports were mixed about the German reception of the film. To date, Valkyrie has grossed nearly $83 million in the United States and Canada, adding to a total of over $189 million worldwide.
Plot
During World War II, Wehrmacht Colonel Claus von Stauffenberg (Cruise) is severely wounded in Tunisia, and is evacuated home to Nazi Germany. Meanwhile, Major General Henning von Tresckow (Branagh) attempts to assassinate Adolf Hitler by smuggling a bomb aboard the Führer's private airplane. The bomb, however, fails to detonate and Tresckow safely retrieves it to conceal his intentions. After learning that the Gestapo has arrested Major Hans Oster, he orders General Olbricht (Nighy) to find a replacement. After recruiting von Stauffenberg into the German Resistance, Olbricht delivers von Stauffenberg to a meeting of the secret committee which has coordinated previous attempts on Hitler's life. The members include General Ludwig Beck (Stamp), Dr. Carl Goerdeler (McNally), and Erwin von Witzleben (Schofield). The Colonel is stunned to learn that no plans exist for after Hitler's assassination.
After a bombing raid on Berlin, he lights upon using the plan Operation Valkyrie, which involves the deployment of the Reserve Army to maintain order in the event of a national emergency. The plotters carefully redraft the plan so that they can dismantle the Nazi regime after assassinating Hitler, by overthrowing the SS and imprisoning Hitler's closest advisors. Realizing that only General Fromm (Wilkinson), the head of the Reserve Army, can initiate Valkyrie, they offer him a position as head of the Wehrmacht in a Post-Nazi Germany and recruit him into the fold: however, Fromm initially refuses. With the rewritten plan needing to be signed off by Hitler (Bamber) himself, von Stauffenberg visits the Führer at his Berghof estate in Bavaria. In the presence of his inner circle, Hitler praises von Stauffenberg's heroism in North Africa and signs off on the plan without fully examining the modifications.
At Goerdeler's insistence, von Stauffenberg is ordered to assassinate both Hitler and SS head Himmler at the Wolf's Lair bunker. At a final briefing, Colonel Mertz von Quirnheim (Berkel) instructs the committee members in how to use pencil detonators. Von Stauffenberg also reaches out to General Fellgiebel (Izzard), who controls all communications at Wolf's Lair, to cut off communications after the bomb blast. On July 15, 1944, von Stauffenberg attends a strategy meeting at Wolf's Lair with the bomb in his briefcase, but with Himmler not present at the meeting, von Stauffenberg does not get the go-ahead from the committee leaders until the meeting is over. Meanwhile, the Reserve Army is mobilized by Olbricht, unbeknownst to Fromm, to stand by. With no action taken, von Stauffenberg safely extracts himself and the bomb from the bunker, and the Reserve Army is ordered to stand down, believing that the mobilization was training. Enraged, von Stauffenberg goes to the committee to protest the indecisiveness and blames the bungling of Goerdeler, who has been selected to be chancellor after the coup. When Goerdeler demands that von Stauffenberg be relieved, Beck informs him that the SS is searching for him and implores him to leave the country immediately.
On July 20, 1944, von Stauffenberg and his adjutant Lieutenant Haeften (Parker) return to the Wolf's Lair. To von Stauffenberg's dismay, he discovers that the conference is being held in an open-window summer barrack, whereas the plotters had intended to detonate the bomb within the walls of the bunker for maximum damage. While his adjuntant waits with a getaway car, von Stauffenberg leaves the briefcase at the meeting. With the bomb armed, von Stauffenberg leaves the barrack for the getaway car. When the bomb explodes, von Stauffenberg is certain that Hitler is dead and flees the Wolf's Lair. Before shutting down communications, Fellgiebel calls Mertz about the explosion but cannot clearly convey whether or not the Führer is dead.
As von Stauffenberg flies back to Berlin, Olbricht refuses to mobilize the Reserve Army until he knows without a doubt that Hitler is dead. Behind Olbricht's back, Mertz forges his signature and issues the orders anyway. With Operation Valkyrie underway, von Stauffenberg and his fellow plotters order the arrest of Nazi party leaders and SS officers and begin to take control of Berlin's government quarter, which will allow them to command the entire Reich. Rumors reach Berlin that Hitler survived the blast, but von Stauffenberg dismisses them as SS propaganda. Meanwhile, Fromm learns from Field Marshal Keitel that Hitler is still alive. The General refuses to join the plotters, resulting in his arrest. When Hitler reaches the Reserve Army by telephone, the SS officers are released and the plotters in turn are besieged inside the Bendlerblock. The headquarters staff flees, but the ringleaders are arrested. Most are eventually tried and executed, while some commit suicide. Von Stauffenberg shouts "Long live sacred Germany!" before being executed by a firing squad.
Do you think because I am poor,plain,obscure and little…that I have no heart?That I am without soul？I have as much heart as you and as much soul.And if God had given me some beauty and wealth,I would make it as hard for you to leave me as it is for me to leave you…
Episode by episode
Episode 1
After the death of her uncle, the orphaned child Jane Eyre is left to the care of her uncaring and cruel aunt Mrs Reed. In their house at Gateshead Hall, Jane is ill-treated by her cousins and aunt alike and never feels at home. After one of many ill-treatments she is accused of being bad blood and in an attempt to get rid of her, Jane is sent to Lowood School by her aunt Mrs Reed. As much as in Gateshead Hall, Lowood School is a cold institution. Jane’s only friend dies and she is left alone once again. Convinced to become independent, she takes on the profession of a governess.
At 19 she is able to secure a position as governess to a girl at Thornfield Hall. Here Jane learns that her pupil Adele, a French girl, was left in the care of the master of the house, Edward Rochester. She is also informed that the master of the house is seldom at home. On one of his journeys back to Thornfield Hall, Jane at last meets Rochester.
One night, Jane wakes to strange noises coming from the room in Rochester’s room. She follows the noise and realizes that Rochester’s room is set on fire and the master in danger.
Episode 2
After Jane was able to rescue Rochester just in time, she wonders who set the fire and from whom these strange sounds from the North Tower come from. She barely receives an answer from Rochester who instead leaves Thornfield without notice the next morning. On his return to Thornfield, he brings along some acquaintances among whom are the beautiful Blanche Ingram and her mother Lady Ingram.
Rochester receives another unexpected und not wholly welcome guest. Mason, the guest, is one night severely injured. In an attempt to catch a doctor, Jane is left to take care of Mason in the North Tower. Once again strange sounds from the North Tower preceded the incident. While looking after Mason, Jane is startled by loud noises from the other side of the door in the North Tower.
Episode 3
Jane receives a visitor from the past. Bessie informs her of her aunt’s illness and the request to see Jane before she dies. Jane learns from her aunt Mrs Reed that she has an uncle. This uncle requested to take care of Jane when she was still a child. Her aunt misinformed the uncle and told him that Jane died. Unlike her aunt, Jane is able to forgive Mrs Reed on her aunt’s dying bed.
Away from Thornfield Hall, Jane realizes with more clarity that Thornfield has indeed become a home for her, something she never had before. However, the rumours of an upcoming marriage between Blanche Ingram and Mr Rochester immensely disturb her. Is she to leave her beloved Thornfield?
In an attempt to find out about Jane’s real emotions, Rochester constantly teases Jane so that she finally reveals that she loves not only Thornfield Hall but Rochester as well. As these feelings are shared by Rochester, he proposes to Jane and is accepted.
Two days before the marriage Jane’s wedding dress is ruined. Even her seeing a shadow of a woman in her rooms is, according to Rochester, part of her dream. On the wedding day however, Jane is finally told of Rochester’s wife Bertha living in the North Tower. Jane leaves Thornfield after these news. This information is revealed by Mason who turns out to be Bertha’s brother.
Differences from the novel
While for the most part a faithful retelling of the novel, the screenplay does contain minor deviations. These include the reduction of time devoted to the first third (Lowood School) and the final third (St. John) of the novel. The middle of the novel is instead developed and a few scenes from the novel are compressed or moved to different times and places in the narrative. The scenes surrounding Jane's flight from the Rochester estate until her gaining of health are treated as a brief dream sequence, a useful tool that enabled many pages of text to be condensed into a passage of a few minutes' length. Additional scenes were created for the screenplay which underscore the passionate natures of Jane and Rochester (a thematic point implied but not explicated throughout the novel). One of the more significant plot changes occurs during the gypsy sequence as Rochester hires a gypsy rather than portraying one himself. Rochester also uses an ouija board as a supplement to this game, a scene which was written specifically for the screenplay.
Intimacy
Why I always feel wronged since the intimacy between us occurs
No evidence of being loved sadly I can find
When to set off,when to desert
I have no gut to embrace you,honey
Here,right here I can be with you
Due to the parameters,sorry we cannot
A bit road left to love even if we have transcended the friendship only
That sight in the distance is something about to start raining
Is it a propriety to weep
How deep I am pining away after you
Why is it turned to me to bear
Contemplation I have begun
Why are you so visibly close but factually distant to me？
Why I always feel wronged since the intimacy between us occurs
No evidence of being loved sadly I can find
When to set off,when to desert
I have no gut to embrace you,honey
Ravenous for more ‘cause of the intimacy
But nothing meaningful at all till the end of long-term waiting
However pitifully the relationship doesn’t go anywhere
Only have to abandon our love here
Oops oops oops
Just as the fairytale tells,on the day the virgin snow occurs if we had a date our love would last for long…Wherever the Kyoto or Seoul will you come in accord with our promises once?
Hatsuyuki no koi（Virgin Snow）
Plot
Min, a Korean boy, moves to Japan with his father who is a potter. One day at a local shrine, he meets Nanae, a beautiful Japanese girl with stunning eyes who is aspiring to be a painter. Min falls in love at first sight and finds out that Nanae attends the school to which he has just transferred. Their friendship develops fast despite their cultural and language difference. Yet when Min's grandmother suddenly falls ill, Min hastily returns to Korea without having the time to explain Nanae the situation. After his grandmother regains her health, Min hurries back to Japan but Nane is nowhere to be found. Had his true feelings for Nanae not been apparent to her? Why has Nanae disappeared without a word?
Cast
Lee Jun Ki as Kim-min
Aoi Miyazaki as Sasaki Nanae
Kimiko Yo
Otoha
Ayaka Morita
Shun Shioya
Miyu Yagyu
Lee-hwan as Kim Do-hyeon
Reviews：
"Virgin Snow" is coproduction between Japan and South Korea.
Language barrier is not a barrier at all when it comes to Love.
I've seen a Korean movie after along time even though my logic kept requesting me not to do that as its my exam time. But I have to say that it was worth it. Though the movie has a theme which is very common in Korean movies but it has touched a few areas which are rare. I was praying for the movie not to end but it end and left me very emotional. The coordination and contrast between Japanese and Korean is shown in a good fashion. The story moves around a Korean boy who meets a Japanese girl in Kyoto and many events starts to take place between them which seems quite natural. Like many Korean movies it starts with the comic flavor, get romantic and becomes very sentimental as the story builds on. The ending is something that everyone like and hope to see. If you are an emotional guy or gal then you may feel a lump in your throat as the movie ends. It also shows a few things about Japanese culture as most of the movie events occur in Kyoto, Japan. You may learn a few words of Japanese language and get a good taste it. One may not be impressed by the story as nothing is new in it but its a very good pastime and I am sure you will be entertained and thats what a movie is all about, isn't it?
The commencement speech at Stanford University by Oprah in 2008
Thank you, President Hennessy, and to the trustees and the faculty, to all of the parents and grandparents, to you, the Stanford graduates. Thank you for letting me share this amazing day with you.
I need to begin by letting everyone in on a little secret. The secret is that Kirby Bumpus, Stanford Class of '08, is my goddaughter. So, I was thrilled when President Hennessy asked me to be your Commencement speaker, because this is the first time I've been allowed on campus since Kirby's been here.
You see, Kirby's a very smart girl. She wants people to get to know her on her own terms, she says. Not in terms of who she knows. So, she never wants anyone who's first meeting her to know that I know her and she knows me. So, when she first came to Stanford for new student orientation with her mom, I hear that they arrived and everybody was so welcoming, and somebody came up to Kirby and they said, "Ohmigod, that's Gayle King!" Because a lot of people know Gayle King as my BFF [best friend forever].
And so somebody comes up to Kirby, and they say, "Ohmigod, is that Gayle King?" And Kirby's like, "Uh-huh. She's my mom."
And so the person says, "Ohmigod, does it mean, like, you know Oprah Winfrey?"
And Kirby says, "Sort of."
I said, "Sort of? You sort of know me?" Well, I have photographic proof. I have pictures which I can e-mail to you all of Kirby riding horsey with me on all fours. So, I more than sort-of know Kirby Bumpus. And I'm so happy to be here, just happy that I finally, after four years, get to see her room. There's really nowhere else I'd rather be, because I'm so proud of Kirby, who graduates today with two degrees, one in human bio and the other in psychology. Love you, Kirby Cakes! That's how well I know her. I can call her Cakes.
And so proud of her mother and father, who helped her get through this time, and her brother, Will. I really had nothing to do with her graduating from Stanford, but every time anybody's asked me in the past couple of weeks what I was doing, I would say, "I'm getting ready to go to Stanford."
I just love saying "Stanford." Because the truth is, I know I would have never gotten my degree at all, 'cause I didn't go to Stanford. I went to Tennessee State University. But I never would have gotten my diploma at all, because I was supposed to graduate back in 1975, but I was short one credit. And I figured, I'm just going to forget it, 'cause, you know, I'm not going to march with my class. Because by that point, I was already on television. I'd been in television since I was 19 and a sophomore. Granted, I was the only television anchor person that had an 11 o'clock curfew doing the 10 o'clock news.
Seriously, my dad was like, "Well, that news is over at 10:30. Be home by 11."
But that didn't matter to me, because I was earning a living. I was on my way. So, I thought, I'm going to let this college thing go and I only had one credit short. But, my father, from that time on and for years after, was always on my case, because I did not graduate. He'd say, "Oprah Gail"—that's my middle name—"I don't know what you're gonna do without that degree." And I'd say, "But, Dad, I have my own television show."
And he'd say, "Well, I still don't know what you're going to do without that degree."
And I'd say, "But, Dad, now I'm a talk show host." He'd say, "I don't know how you're going to get another job without that degree."
So, in 1987, Tennessee State University invited me back to speak at their commencement. By then, I had my own show, was nationally syndicated. I'd made a movie, had been nominated for an Oscar and founded my company, Harpo. But I told them, I cannot come and give a speech unless I can earn one more credit, because my dad's still saying I'm not going to get anywhere without that degree.
So, I finished my coursework, I turned in my final paper and I got the degree.
And my dad was very proud. And I know that, if anything happens, that one credit will be my salvation.
But I also know why my dad was insisting on that diploma, because, as B. B. King put it, "The beautiful thing about learning is that nobody can take that away from you." And learning is really in the broadest sense what I want to talk about today, because your education, of course, isn't ending here. In many ways, it's only just begun.
The world has so many lessons to teach you. I consider the world, this Earth, to be like a school and our life the classrooms. And sometimes here in this Planet Earth school the lessons often come dressed up as detours or roadblocks. And sometimes as full-blown crises. And the secret I've learned to getting ahead is being open to the lessons, lessons from the grandest university of all, that is, the universe itself.
It's being able to walk through life eager and open to self-improvement and that which is going to best help you evolve, 'cause that's really why we're here, to evolve as human beings. To grow into more of ourselves, always moving to the next level of understanding, the next level of compassion and growth.
I think about one of the greatest compliments I've ever received: I interviewed with a reporter when I was first starting out in Chicago. And then many years later, I saw the same reporter. And she said to me, "You know what? You really haven't changed. You've just become more of yourself."
And that is really what we're all trying to do, become more of ourselves. And I believe that there's a lesson in almost everything that you do and every experience, and getting the lesson is how you move forward. It's how you enrich your spirit. And, trust me, I know that inner wisdom is more precious than wealth. The more you spend it, the more you gain.
So, today, I just want to share a few lessons—meaning three—that I've learned in my journey so far. And aren't you glad? Don't you hate it when somebody says, "I'm going to share a few," and it's 10 lessons later? And, you're like, "Listen, this is my graduation. This is not about you." So, it's only going to be three.
The three lessons that have had the greatest impact on my life have to do with feelings, with failure and with finding happiness.
A year after I left college, I was given the opportunity to co-anchor the 6 o'clock news in Baltimore, because the whole goal in the media at the time I was coming up was you try to move to larger markets. And Baltimore was a much larger market than Nashville. So, getting the 6 o'clock news co-anchor job at 22 was such a big deal. It felt like the biggest deal in the world at the time.
And I was so proud, because I was finally going to have my chance to be like Barbara Walters, which is who I had been trying to emulate since the start of my TV career. So, I was 22 years old, making $22,000 a year. And it's where I met my best friend, Gayle, who was an intern at the same TV station. And once we became friends, we'd say, "Ohmigod, I can't believe it! You're making $22,000 and you're only 22. Imagine when you're 40 and you're making $40,000!"
When I turned 40, I was so glad that didn't happen.
So, here I am, 22, making $22,000 a year and, yet, it didn't feel right. It didn't feel right. The first sign, as President Hennessy was saying, was when they tried to change my name. The news director said to me at the time, "Nobody's going to remember Oprah. So, we want to change your name. We've come up with a name we think that people will remember and people will like. It's a friendly name: Suzie."
Hi, Suzie. Very friendly. You can't be angry with Suzie. Remember Suzie. But my name wasn't Suzie. And, you know, I'd grown up not really loving my name, because when you're looking for your little name on the lunch boxes and the license plate tags, you're never going to find Oprah.
So, I grew up not loving the name, but once I was asked to change it, I thought, well, it is my name and do I look like a Suzie to you? So, I thought, no, it doesn't feel right. I'm not going to change my name. And if people remember it or not, that's OK.
And then they said they didn't like the way I looked. This was in 1976, when your boss could call you in and say, "I don't like the way you look." Now that would be called a lawsuit, but back then they could just say, "I don't like the way you look." Which, in case some of you in the back, if you can't tell, is nothing like Barbara Walters. So, they sent me to a salon where they gave me a perm, and after a few days all my hair fell out and I had to shave my head. And then they really didn't like the way I looked.
Because now I am black and bald and sitting on TV. Not a pretty picture.But even worse than being bald, I really hated, hated, hated being sent to report on other people's tragedies as a part of my daily duty, knowing that I was just expected to observe, when everything in my instinct told me that I should be doing something, I should be lending a hand.
So, as President Hennessy said, I'd cover a fire and then I'd go back and I'd try to give the victims blankets. And I wouldn't be able to sleep at night because of all the things I was covering during the day.
And, meanwhile, I was trying to sit gracefully like Barbara and make myself talk like Barbara. And I thought, well, I could make a pretty goofy Barbara. And if I could figure out how to be myself, I could be a pretty good Oprah. I was trying to sound elegant like Barbara. And sometimes I didn't read my copy, because something inside me said, this should be spontaneous. So, I wanted to get the news as I was giving it to the people. So, sometimes, I wouldn't read my copy and it would be, like, six people on a pileup on I-40. Oh, my goodness.
And sometimes I wouldn't read the copy—because I wanted to be spontaneous—and I'd come across a list of words I didn't know and I'd mispronounce. And one day I was reading copy and I called Canada "ca nada." And I decided, this Barbara thing's not going too well. I should try being myself.
But at the same time, my dad was saying, "Oprah Gail, this is an opportunity of a lifetime. You better keep that job." And my boss was saying, "This is the nightly news. You're an anchor, not a social worker. Just do your job."
So, I was juggling these messages of expectation and obligation and feeling really miserable with myself. I'd go home at night and fill up my journals, 'cause I've kept a journal since I was 15—so I now have volumes of journals. So, I'd go home at night and fill up my journals about how miserable I was and frustrated. Then I'd eat my anxiety. That's where I learned that habit.
And after eight months, I lost that job. They said I was too emotional. I was too much. But since they didn't want to pay out the contract, they put me on a talk show in Baltimore. And the moment I sat down on that show, the moment I did, I felt like I'd come home. I realized that TV could be more than just a playground, but a platform for service, for helping other people lift their lives. And the moment I sat down, doing that talk show, it felt like breathing. It felt right. And that's where everything that followed for me began.
And I got that lesson. When you're doing the work you're meant to do, it feels right and every day is a bonus, regardless of what you're getting paid.
It's true. And how do you know when you're doing something right? How do you know that? It feels so. What I know now is that feelings are really your GPS system for life. When you're supposed to do something or not supposed to do something, your emotional guidance system lets you know. The trick is to learn to check your ego at the door and start checking your gut instead. Every right decision I've made—every right decision I've ever made—has come from my gut. And every wrong decision I've ever made was a result of me not listening to the greater voice of myself.
If it doesn't feel right, don't do it. That's the lesson. And that lesson alone will save you, my friends, a lot of grief. Even doubt means don't. This is what I've learned. There are many times when you don't know what to do. When you don't know what to do, get still, get very still, until you do know what to do.
And when you do get still and let your internal motivation be the driver, not only will your personal life improve, but you will gain a competitive edge in the working world as well. Because, as Daniel Pink writes in his best-seller, A Whole New Mind, we're entering a whole new age. And he calls it the Conceptual Age, where traits that set people apart today are going to come from our hearts—right brain—as well as our heads. It's no longer just the logical, linear, rules-based thinking that matters, he says. It's also empathy and joyfulness and purpose, inner traits that have transcendent worth.
These qualities bloom when we're doing what we love, when we're involving the wholeness of ourselves in our work, both our expertise and our emotion.
So, I say to you, forget about the fast lane. If you really want to fly, just harness your power to your passion. Honor your calling. Everybody has one. Trust your heart and success will come to you.
So, how do I define success? Let me tell you, money's pretty nice. I'm not going to stand up here and tell you that it's not about money, 'cause money is very nice. I like money. It's good for buying things.
But having a lot of money does not automatically make you a successful person. What you want is money and meaning. You want your work to be meaningful. Because meaning is what brings the real richness to your life. What you really want is to be surrounded by people you trust and treasure and by people who cherish you. That's when you're really rich.
So, lesson one, follow your feelings. If it feels right, move forward. If it doesn't feel right, don't do it.
Now I want to talk a little bit about failings, because nobody's journey is seamless or smooth. We all stumble. We all have setbacks. If things go wrong, you hit a dead end—as you will—it's just life's way of saying time to change course. So, ask every failure—this is what I do with every failure, every crisis, every difficult time—I say, what is this here to teach me? And as soon as you get the lesson, you get to move on. If you really get the lesson, you pass and you don't have to repeat the class. If you don't get the lesson, it shows up wearing another pair of pants—or skirt—to give you some remedial work.
And what I've found is that difficulties come when you don't pay attention to life's whisper, because life always whispers to you first. And if you ignore the whisper, sooner or later you'll get a scream. Whatever you resist persists. But, if you ask the right question—not why is this happening, but what is this here to teach me?—it puts you in the place and space to get the lesson you need.
My friend Eckhart Tolle, who's written this wonderful book called A New Earth that's all about letting the awareness of who you are stimulate everything that you do, he puts it like this: He says, don't react against a bad situation; merge with that situation instead. And the solution will arise from the challenge. Because surrendering yourself doesn't mean giving up; it means acting with responsibility.
Many of you know that, as President Hennessy said, I started this school in Africa. And I founded the school, where I'm trying to give South African girls a shot at a future like yours—Stanford. And I spent five years making sure that school would be as beautiful as the students. I wanted every girl to feel her worth reflected in her surroundings. So, I checked every blueprint, I picked every pillow. I was looking at the grout in between the bricks. I knew every thread count of the sheets. I chose every girl from the villages, from nine provinces. And yet, last fall, I was faced with a crisis I had never anticipated. I was told that one of the dorm matrons was suspected of sexual abuse.
That was, as you can imagine, devastating news. First, I cried—actually, I sobbed—for about half an hour. And then I said, let's get to it; that's all you get, a half an hour. You need to focus on the now, what you need to do now. So, I contacted a child trauma specialist. I put together a team of investigators. I made sure the girls had counseling and support. And Gayle and I got on a plane and flew to South Africa.
And the whole time I kept asking that question: What is this here to teach me? And, as difficult as that experience has been, I got a lot of lessons. I understand now the mistakes I made, because I had been paying attention to all of the wrong things. I'd built that school from the outside in, when what really mattered was the inside out.
So, it's a lesson that applies to all of our lives as a whole. What matters most is what's inside. What matters most is the sense of integrity, of quality and beauty. I got that lesson. And what I know is that the girls came away with something, too. They have emerged from this more resilient and knowing that their voices have power.
And their resilience and spirit have given me more than I could ever give to them, which leads me to my final lesson—the one about finding happiness—which we could talk about all day, but I know you have other wacky things to do.
Not a small topic this is, finding happiness. But in some ways I think it's the simplest of all. Gwendolyn Brooks wrote a poem for her children. It's called "Speech to the Young : Speech to the Progress-Toward." And she says at the end, "Live not for battles won. / Live not for the-end-of-the-song. / Live in the along." She's saying, like Eckhart Tolle, that you have to live for the present. You have to be in the moment. Whatever has happened to you in your past has no power over this present moment, because life is now.
But I think she's also saying, be a part of something. Don't live for yourself alone. This is what I know for sure: In order to be truly happy, you must live along with and you have to stand for something larger than yourself. Because life is a reciprocal exchange. To move forward you have to give back. And to me, that is the greatest lesson of life. To be happy, you have to give something back.
I know you know that, because that's a lesson that's woven into the very fabric of this university. It's a lesson that Jane and Leland Stanford got and one they've bequeathed to you. Because all of you know the story of how this great school came to be, how the Stanfords lost their only child to typhoid at the age of 15. They had every right and they had every reason to turn their backs against the world at that time, but instead, they channeled their grief and their pain into an act of grace. Within a year of their son's death, they had made the founding grant for this great school, pledging to do for other people's children what they were not able to do for their own boy.
The lesson here is clear, and that is, if you're hurting, you need to help somebody ease their hurt. If you're in pain, help somebody else's pain. And when you're in a mess, you get yourself out of the mess helping somebody out of theirs. And in the process, you get to become a member of what I call the greatest fellowship of all, the sorority of compassion and the fraternity of service.
The Stanfords had suffered the worst thing any mom and dad can ever endure, yet they understood that helping others is the way we help ourselves. And this wisdom is increasingly supported by scientific and sociological research. It's no longer just woo-woo soft-skills talk. There's actually a helper's high, a spiritual surge you gain from serving others. So, if you want to feel good, you have to go out and do some good.
But when you do good, I hope you strive for more than just the good feeling that service provides, because I know this for sure, that doing good actually makes you better. So, whatever field you choose, if you operate from the paradigm of service, I know your life will have more value and you will be happy.
I was always happy doing my talk show, but that happiness reached a depth of fulfillment, of joy, that I really can't describe to you or measure when I stopped just being on TV and looking at TV as a job and decided to use television, to use it and not have it use me, to use it as a platform to serve my viewers. That alone changed the trajectory of my success.
So, I know this—that whether you're an actor, you offer your talent in the way that most inspires art. If you're an anatomist, you look at your gift as knowledge and service to healing. Whether you've been called, as so many of you here today getting doctorates and other degrees, to the professions of business, law, engineering, humanities, science, medicine, if you choose to offer your skills and talent in service, when you choose the paradigm of service, looking at life through that paradigm, it turns everything you do from a job into a gift. And I know you haven't spent all this time at Stanford just to go out and get a job.
You've been enriched in countless ways. There's no better way to make your mark on the world and to share that abundance with others. My constant prayer for myself is to be used in service for the greater good.
So, let me end with one of my favorite quotes from Martin Luther King. Dr. King said, "Not everybody can be famous." And I don't know, but everybody today seems to want to be famous.
But fame is a trip. People follow you to the bathroom, listen to you pee. It's just—try to pee quietly. It doesn't matter, they come out and say, "Ohmigod, it's you. You peed."
That's the fame trip, so I don't know if you want that.
So, Dr. King said, "Not everybody can be famous. But everybody can be great, because greatness is determined by service." Those of you who are history scholars may know the rest of that passage. He said, "You don't have to have a college degree to serve. You don't have to make your subject and verb agree to serve. You don't have to know about Plato or Aristotle to serve. You don't have to know Einstein's theory of relativity to serve. You don't have to know the second theory of thermodynamics in physics to serve. You only need a heart full of grace and a soul generated by love."
In a few moments, you'll all be officially Stanford's '08.
You have the heart and the smarts to go with it. And it's up to you to decide, really, where will you now use those gifts? You've got the diploma, so go out and get the lessons, 'cause I know great things are sure to come.
You know, I've always believed that everything is better when you share it, so before I go, I wanted to share a graduation gift with you. Underneath your seats you'll find two of my favorite books. Eckhart Tolle's A New Earth is my current book club selection. Our New Earth webcast has been downloaded 30 million times with that book. And Daniel Pink's A Whole New Mind: Why Right-Brainers Will Rule the Future has reassured me I'm in the right direction.
I really wanted to give you cars but I just couldn't pull that off!
Congratulations, '08!Thank you. Thank you.
<if only>is a flicker that touches me too much,n really elicits all of my sympathy and tears ..tho it was a onu-of-fashion one that cannot wipe out the shining luster still!Strongly recommende here...
If Only (film)
PLOT
Ian Wyndham (Nicholls) is a British Businessman who is in love with his musician girlfriend Samantha Andrews (Hewitt), but lately his job has taken priority. One day, in the streets of London, Samantha dies after they had a fight. An inconsolable Ian goes back to bed alone. When he wakes up he finds that he is given a second chance to relive the day all over again, and maybe this time he will get things right.
Production and distribution
Filming was done between November 2002 and January 2003. The movie made its world premiere at the Sarasota Film Festival in January 2004. However it was not picked up for US distribution. It went on to play around the world throughout late 2004 and 2005. American audiences were finally given a chance to see this film when it premiered on the American ABC Family television network on January 15, 2006.
Review Summary
A lonely singer/songwriter and the man of her dreams take a second shot at love after fate intervenes into their romance in a tearful tale of destiny starring Jennifer Love Hewitt and Paul Nicholls. Samantha Andrews (Hewitt) was studying classical music in London when she first met Ian Wyndham (Nicholls), and the moment they locked eyes both new that it was love at first sight. Their storybook romance takes a turn for the tragic, however, when Samantha dies in a horrific accident shortly after the pair have their first major argument. Stricken by inconsolable grief and touched by the forgiving hand of merciful fate, Ian now has one chance to take it all back and relive that fateful days before he truly loses the love of his life once and for all. ~ Jason Buchanan, All Movie Guide
Best movie I have seen in a long time!!
I agree, bring the kleenex. If you don't cry you don't have a heart. I will watch this movie over and over. I never knew that Jennifer Love Hewitt could also sing but sh eis wonderful. I only wish I could find some one that loved me as they loved each other!!
If Only
"If Only" is really a Fabulous movie....It tells about that truth of future which we can never realize in the present...but when that present become fast then we can actually think of the message this movie conveys....
I had someone in my life...someone so beautiful...someone so innocent...someone so loveable...just like Smantha in if only....but unfortunately i never had a dream...i never get a chance imagine my life without her...i never get a chance to realize what i feel for her...and suddenly i made a mistake and she left me forever.... and i really wanna tell her how i felt for her...i wanna tell her how much she completed me...i wanna tell her what she means to me...But i will never get a chance to tell her...Oh goddd.......
— staneja
Bring the Kleenex!
"If Only" is a good movie about love, fate and the inevitable. Ian is a self-centered businessman, English by the way, who soon gets a chance to have one day to save his love's life; Samantha is played by Jennifer Love Hewitt. This story is wonderful, sad and worth watching. This isn't the movie where you quietly cry; you cry throughout and even after the movie is finished. When you want or need a good cry, watch this movie. The acting is superb and I highly recommend this film as one of the best love stories ever told.
This movie means alot to me
I cried most of the way through this movie.Right now I am going through a really hard time in my life. It is so hard when you love someone so much.Life is short,as the character shows in the movie...One should always show their love the depth of their love everyday and remind them that they are loved in so many ways. Tomorrow may be too late. If love ends, you both lose. Live like there is no tomorrow...hold the one you love today.
— webxmoviesrnr
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